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ARTISTS BIO 

 

Left Hand Cuts off the Right https://soundcloud.com/lefthandcutsofftheright

http://lefthandcutsofftheright.tumblr.com/archive 

Left Hand Cuts off the Right is the name of experimental musician, Robbie Judkins. Currently based in London, UK.

 

Cementimental http://www.cementimental.com/ Cementimental is the name under which I currently make all my experimental noises, using 'circuit bent' electronic sound-toys and basically whatever and whoever I can get my hands on. The project becomes more or less of a 'band' when I team up with various other noisy types to produce and perform deranged music and noise of many genres. Cementimental is also part of/indistinguishable from other projects including Gymnastic Decomposition and Hypno-Bacon.

 

Emmanuel Spinelli http://www.emalorienweb.webs.com/ E. L. Spinelli is a composer, sound designer and music lecturer. He has been involved in electro-acoustic composition, live electronics and free improvisation since 1998. His work has been presented at Tate Modern, Large Scale Audio Exp., Shunt, SoundFjord, Dragonfly Festival (Sweden), and Footsteps in the Wind, a soundscape study of Krakow and Auschwitz, won the C.C.P. and the George Blunden travel awards. Spinelli is now completing a PhD in Sonic Art at Goldsmiths. Through the years, Spinelli developed an interest in issues related to soundscape transformation, psycho-geographies, manipulations of historical data, sonic remains and memory, particularly in relation to post-war Europe. His research revolves around the notion of acoustic-phenotypology, that is to say the perception of individual identities through sound. All his work, at one level or another, explores human presence and history, through the cognition of the disembodied voice and the sonic environment.

 

Tasos Tafarel Stamou www.tasosstamou.com Tasos Stamou is a Greek non-academic electroacoustic music composer and a performer of free improvised music; an instrument designer and a devoted circuit bender. He has been performing and recording in solo and collaborative projects (London Improvisers Orchestra, Valerio Tricoli, Adam Bohman, Ignaz Schick, Terry Day etc.) using variable arrangements of live electronics combined with traditional instruments in extended techniques (prepared zither, reeds, detuned recorders). His sound ranges from noise music to distinctive tonal drones, mixing different influences of avant garde music into a personal style.
 

Tom Richards https://soundcloud.com/tom-richards   http://www.tomrichards.info/CV.htm

Education 2003 – 2004 at MA Fine Art at Chelsea College of Art and Design  and 1997 - 2000  in Sheffield Hallam University  a BA Hons 1 st Class. Fine Art Sculpture. Has played at Queen Elisabeth Hall, James Taylor Gallery, Tate Britain, Space, E:vent, Project Space 176, and others.


Ryan Jordan http://ryanjordan.org/ http://nnnnn.org.uk/ experiments in derelict electronics, possession trance, retro-death-telegraphy and hylozoistic neural computation. former director of noise=noise / nnnnn. noise research laboratory and live performance platform. 

 

Luke Jordan http://lukerichardjordan.blogspot.co.uk/ artist, sound/actions/installation/objects.

SOUND.ART EVENT (CASE A)

 

ARTISTS:
Left Hand Cuts off the Right https://soundcloud.com/lefthandcutsofftheright
Cementimental http://www.cementimental.com/
Emmanuel Spinelli http://www.emalorienweb.webs.com/
Tasos Tafarel Stamou www.tasosstamou.com
Tom Richards https://soundcloud.com/tom-richards
Ryan Jordan http://ryanjordan.org/

Luke Jordan http://lukerichardjordan.blogspot.co.uk/

 

Sunday 23rd June
from 4pm til 8pm
At VISUAL COLLECTIVE SPACE
10Vyner Street
http://www.thevisualcollective.co.uk/space/about/
https://www.facebook.com/events/625503520810385/?fref=ts

 

A. THEORETICAL MODES FOR CURATING MUSIC. music as science 

REFERENCES AND INSTRUMENTS:

A1.HEIDEGGER: THE QUESTION CONCERNING TECHNOLOGY 1950  http://72.52.202.216/~fenderse/Technology.html

A2. GAS INSTRUMENTS . JOHN DRISCOLL  . 1980

http://ubumexico.centro.org.mx/text/emr/interviews_media/inside_electronics/driscoll/DriscollGass.pdf

A3. FLAME AMPLIFICATION LOUDSPEAKER . 1950 

http://www.swtpc.com/mholley/PopularElectronics/May1968/Flame_Amplification.htm

A5. PHOTO-ELECTRIC TRANSLATING DEVICE 1921 H.J. VAN DER BIJL 

http://www.ubu.com/emr/patents/_docs/patents/06generators-musical-instruments/e/o/photoelectric_translating_vanderbijl.pdf

A4. PLASM GAS https://en.wikipedia.org/wiki/Plasma_(physics)

 

PRESS: THE WIRE http://thewire.co.uk/listings/left-hand-cuts-off-the-right_cementimental_emmanuel-spinelli_thom_hems_tasos-tafarel-stamo

FURTHERFIELD http://www.furtherfield.org/community/calendar/soundart-event-10-vyner-st-sunday-23rd-june-5-8pm#comment-1466

 

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